East European Music Conference & Showcase Festival
East European Music Conference – Festivals in a Europe in crisis

East European Music Conference – Festivals in a Europe in crisis

The first meeting of the European music industry elite in Romania, East European Music Conference, an event organized by ARTmania, with the support of the Local Council of Sibiu and the City Hall of Sibiu, brings together, between July 27 – 29, event organizers, international specialists in security, lawyers or experts in the international tax systems. The series of conferences will be hosted, for two days, by Thalia Hall Sibiu, starting with Friday, July 28th, 10:00 and a very actual debate: Festivals in a Europe in crisis.

The opening ceremony for the East European Music Conference reunion is scheduled on Thursday, July 27th, in the Large Square in Sibiu, and includes two concerts with international festivals: the Dutch band My Baby and the Brit Alex Clare. Receivers of some of the prestigious Dutch music awards, Edison, that is offered for musical compositions of exceptional quality, the Dutch band My Baby plays for the first time in Romania. My Baby will open the Brit’s Alex Clare concert, a favorite of British and German charts, whose single “Too Close” with over 100 million views on YouTube only have brought him a collaboration with Microsoft and a very precious nomination at the Brit Awards. For the two concerts scheduled for the East European Music Conference gala, the entrance is free.

 

East European Music Conference takes place at the same time as the ARTmania Festival, turning once again the town of Sibiu in a true Cultural Capital. On the 12th edition poster of ARTmania Festival, seven important acts have been added: Tarja, Lacuna Coil, Riverside, Beyond the Black, Walkways, You Me At Six and Devin Townsend Project. Passes for the ARTmania Festival are 190 lei during the presale.

Tickets for the East European Music Conference cost 190, 210 or 240 lei, according to time or purchase. Tickets grant access to both event days and are valid for the whole series of seminars and conferences included in the program.

FESTIVALS IN A EUROPE IN CRISIS

How to play on a continent that tries to keep its balance in front of the ongoing challenges, from economic polarization to division of national societies, to nationalist ideas, xenophobia, terrorist threats and, beyond this, too many types of cultural problems? The opening conference of the EEMC reunion, Festivals in a Europe in crisis, scheduled in the Thalia Hall, on Friday, July 28, at 10:00 is organized under the Take a Stand patronage, a campaign aimed to encourage civil involvement and social cohesion and a declaration to defend European values. The Take a Stand campaign is a Yourope initiative, where ARTmania Festival is affiliated, along with 90 of the main European festivals.

Confronted with an identity crisis, social inequality, ways of migration, terrorism and fascism, Europe cultivates new generations of visionaries, people that learn and analyze changes, in order to ensure the quality and continuity of events that celebrate life. Under the main title “Festivals in a Europe in crisis”, they will analyze and will share their experience three organizers from top European festivals: Fruzsina Szep: director of Lollapalooza Berlin, Christof Huber – president of Yourope and director of OpenAir St. Gallen – the largest festival in Switzerland, Guido Janssens – director of Emagic, organizer of concerts and festivals that have revolutionized the live event industry in Romania. The conference will be hosted by journalist Lucian Mindruta, who, after 20 years in the local press now moderates the social space in the “Interactiv” radio show at Digi FM, a public area where the most important subjects of the moment are up to debate, subjects talk about online, in the media or on social platforms.

“My message is about people, about a positive and peaceful way of living together, about an open and constructive dialogue. It might sound utopic, but us, the festival organizers, with a creative thinking, addicted to music, we are dreamers, fighters and defenders of good faith and have no other way. We couldn’t do what we do if we thought differently. Europe needs brave, curious, open, active and positive ambassadors of good will, intelligent people who have their hearts in the right place, who are not afraid to show their emotions, are not afraid to take action, to show what it means to not bend your head. To take a stand! Our festivals are gatherings of peace, where people come to enjoy the music, arts, culture and enjoy friendships and life. This is my Europe. Maybe it’s a utopic dream this temporary world of happiness, a world that festival organizers have the possibility of creating for their public. We do this ever year, this is our driving force, that gives us strength. These festivals are ambassadors of democracy and solidarity and no government can silence them. They will rise and they will talk about the art of freedom and free dialogue. Love and music are stronger than hatred, bombs or terror. It’s time for a change of the political generation and a change in mentality for the future leaders of Europe. We must not contemplate on the way Europe and the European Union are falling apart. It’s the largest project of our times. We must do everything in our power to support it and give it power”, Fruzsina Szep, Director of Lollapalooza Berlin

 

The most recent news that have shattered the musical scene in Europe are the last events in series that has brought sadness and worries on an international level. In anyway, it was the first year when tank stoppers were used in order to protect certain European festivals, in the series of measures taken to face new realities. These are all themes we can start a debate with about the future of large festivals in a Europe of changes. New security rules, new philosophies and concepts about organizing events, new trends and artistic currents, along with political vision adapted to social respect and equal opportunity are the new guiding lines for hundreds of festivals hosted annually by the Old Continent. Through information and awareness campaigns we promote tolerance for all cultures, genders, rases, religions, sexual orientations, colors and origins. Motivating people to take part in political and social activities, militating for a peaceful dialogue, for humanity, tolerance and mutual understanding, it is the best way to make the world a better place for each individual and for all of us – it’s written in the defining declaration for the purpose and mission of Take a Stand.

 

“In times with tension due to political changes, with the refugee crisis and terrorist threats, it is essential for the festivals of the world to unite their voices in a common declaration, to defend values of social cohesion, of cultural diversity and peace. We wish to motivate our public to take part in political and social activities, taking stand for a peaceful dialogue, humanity, tolerance and mutual understanding. It is time to take a stand! Christof Huber, Director OpenAir St.Gallen, Switzerland.

 

Yourope salutes all the professionals in the live music business and encourages them to join in as partners of this campaign. Festivals, promoters, clubs, associations, production companies and other people involved in the event industry are invited to join as ambassadors of the Take a Stand campaign, for a United Europe. (https://www.take-a-stand.eu/)

ABOUT MY BABY

My Baby. Blues, country and funk, with the Dutch from My Baby, a shamanic psychedelic trio formed in 2012, receivers of one of the most prestigious music awards in The Netherlands, Edison, which is offered for musical compositions of exceptional quality. They were applauded in tours in the Nordic countries and in the UK, but also in South Africa or New Zeeland, and became large festival favorites, especially at Glastonbury, where they were invited for seven times. With four albums released, the most recent one, Prehistoric Rhythm, was released just this year. My Baby counts on hypnotic beats, educated voices and psychedelic rhythms for a show that evokes ancient traditions, followed thousands of years ago through music. This is the unique aesthetic of the band, that explores the way ancient rituals influence contemporary culture. With a mythical-poetic theatrical approach, a danceable music that address the collective conscience, My Baby offers an archaic spiritual alternative to storms and shortcomings of contemporary life.

 

 

We’re only human after all!

We’re only human after all!

I couldn’t pass on the opportunity to use a line of Rag’n’Bone Man’s mega hit as the title for this piece since it’s not only an appropriate title for my thoughts on the ‘Festivals in a troubled Europe’-theme, but a sneaky way to promote the first edition of our upcoming AWAKE festival where Rag’n’Bone Man will be a headliner and making his Romanian live debut! Check it out on WWW.AWAKEFESTIVAL.RO and it would be great to see as many of you as possible in the heart of Transylvania on the first weekend of September. Allright, promoter’s job done! ☺

The theme of the EEMC-panel that I will be participating in is no laughing matter.
“FESTIVALS IN A TROUBLED EUROPE.
MULTICULTARISM VS. NATIONALISM.
UNITY VERSUS DISCORD!”

I’ve never been a fan of one particular genre of music, artist or band.
To me there is ‘music I like and music I don’t like’ and I can’t bring myself to ‘hate’ music; any kind of music.
So if it is up to me, from a musical point of view, my favorite festival would be one where I can see AND a great rock act AND a great alternative band AND a great pop act AND whatever other ‘genre’.
I don’t see the discord between the genres. I only see the unity of the vibes; the music.

When in 2007, Emagic gave birth to B’Estfest, that was exactly what we wanted the festival to be; a place where open minded music lovers would gather and enjoy the unity of music and vibes and respect the musical preferences of their fellow festival goers.
And we pushed the envelope pretty far…by having acts as diverse as Cypress Hill and Wu Tang Clan, Pink and Nelly Furtado, Franz Ferdinand and The Killers or Motorhead and Marylin Manson all sharing the same main festival stage at any given moment.

In hindsight however, this ‘policy’ is probably one of the reasons why there is no longer a B’Estfest!
It looks like a majority of festival goers do not feel the way I do. Tough luck! Lots of people can apparently only feel good among their peers, among the like-minded, among those that share the same tastes and preferences.
And this is obviously not just the trend at music festivals; hence the increased appeal of politicians that preach nationalism, anti-immigration movements and religious hate speech.

Now, as an individual I might regret this, but as a festival promoter that needs to pay the bills it is my duty ‘to give the people what they want’, right!?

IS IT?

It’s not as simple as that!

I do not consider it my duty to ‘educate’ people, but I do feel an obligation to incorporate some of the values that I consider important for a healthy society in the festival concept that I help to give life.
I want to be proud of ‘my’ festival; even if financially it does not fulfill its promise. I want it to mean something. To shake up something. To – why not? – change something in the end.

With our new festival , AWAKE , musically we are going for a combination of FUN & FRESH acts, but the unique location of the festival – in the heart of Trasylvania’s Mures County, a region in which ethnic Romanians, Hungarians and Germans have settled – also gives us the opportunity to ‘UNITE’ , to promote ‘MULTICULTURALISM’, to create a little island of hope in a world that seems to be ever more prone to answer complicated international problems with simple nationalistic slogans and movements.

We are not political, but we are human and do not only want to put a great new festival on the map, but also to share our version of ‘humanity’ with as many other humans as possible.
Humans that are seeking for peace in a troubled world, that want to learn about (and interact with) cultures that are alien to their own and people who embrace what unites us instead of exploiting what divides us.

Looking forward to meet a few of you humans in Sibiu at EEMC.

In the meantime, stay Awake!

Guido Janssens

Alex Clare to launch Sibiu – Festival City 2017

Alex Clare to launch Sibiu – Festival City 2017

British singer-songwriter Alex Clare has been confirmed as the headlining act for Sibiu – Festival City, the live component of the East European Music Conference, that will take place July 28-29. The highly acclaimed artist will meet with Romanian fans during the event’s opening ceremony, held on Thursday, July 27th at 21.30, in Sibiu’s main square.

Apart from a richly cultural experience that will include concerts, exhibitions, experimental theatre projects, book launches, and cinematic projects, Sibiu – Festival City will also include the inaugural edition of the East European Music Conference (EEMC), a worldwide event that will bring together over 400 experts, authorities, local promoters and the main players in the international festivals market, to network and encourage an exchange of ideas.

The conference element of the event will be organised in collaboration with Sibiu City Hall and AROC (the Romanian Association of Concerts and Cultural Events Organisers) whose members include the most important event promoters in Romania, such as Emagic, Electric Castle, ARTmania, Blaj Alive Jazz in The Park, and Twin Arts, to name but a few.

Along with Alex Clare, other performers at Sibiu – Festival City will include My Baby from the Netherlands, Romanian artists such as Robin and The Backstabbers, retro-electro outfit Moonlight Breakfast, rock band Coma, and post-metal rockers Fluturi pe Asfalt, with concerts taking place every day throughout the centre of the city.

The event will take place alongside the 12th instalment of ARTmania, turning the city of Sibiu once more into a veritable hotbed of culture. Organisers at ARTmania have already announced performances from eight incredible international artists with Biffy Clyro and Apocalyptica among the confirmed headliners.

THE CONFERENCE

Sibiu – Festival City is a multicultural project aimed at transforming Sibiu into a major player in the European cultural market, benefitting both consumers and producers of cultural events. Steeped in remarkable tradition and with extensive experience of organising and promoting large-scale events, the event has become a regional platform for dialogue for anyone involved in the entertainment industry, both in Romania and throughout Europe. The event aims to attract international investments that will have a direct and positive impact on the city’s inhabitants and local authorities.

The EEMC will invite debate between the music industry, international experts and representatives of authorities directly involved in legislative regulation of the industry. In the context of a market that has been witnessing an extremely fast-paced growth in recent years, local promoters still don’t have a clear set of rules they can apply, and still have to deal with old and/or incoherent legislation that does not include specific beneficial provisions for music industry activity.

EEMC will serve as a much needed, industry-specific communication platform encouraging healthy discourse and topical debates. Alongside international specialists and leading European promoters, local organisers will attempt to find solutions to problems faced within the local entertainment industry. Without specific changes in existing regulations, brought about by constructive debates with state authorities, the much-needed changes designed to meet the rapid pace of the eastern European concert and festival industries, will not be possible.

PARTICIPANTS

EEMC will welcome all major national concert and festival promoters; international experts; authorities involved in the legal regulation of the live music industry; students of cultural management departments; festival lovers; the events industry; organisers of major European festivals; editors and correspondents from leading international publications such as Billboard, Pollstar and IQ Magazine; international tax experts; and representatives from major international regulators, associations and institutes.

Among the experts loaning their expert voices to the event will be Fruzsina Szép, Festival Director of Lollapalooza Berlin; Stephan Thanscheidt, Director of FKP Scorpio – the largest festival organiser in Europe, alongside the following confirmed industry luminaries:

Christof Huber, head of Yourope (The European Festivals Association) and director of some of the most successful festivals in Europe, including OpenAir St.Gallen, SummerDays Festival, and Unique Moments boutique festival.

Dick Molenaar, one of the most highly regarded experts in the complicated field of ​​tax legislation, with vast experience working with the most famous Dutch artists, sports personalities, music companies and institutions.

Gordon Masson, the beloved editor of IQ Magazine and part of the ILMC agenda committee, who insists that he was previously a stunt driver and astronaut in a previous life, before settling for a career in music journalism.

Grímur Atlason, who has for the last eight years managed the five-day international Iceland Airwaves festival that takes place on the first weekend of November in Reykjavik.

Confirmed Romanian participants include ministers, state secretaries, representatives from many professional associations, students, and festival lovers, along with representatives from authorities directly involved in legislative regulation of the industry, such as the Ministry of Culture, the Ministry of the Interior, the Ministry of Finance and Ministry of Labour.

CONFERENCE PROGRAMME

Hot topics already confirmed for debate include the functionality of state authorities, their duties and responsibilities, as well as topics such as security and the predictability of festivals in a troubled Europe; along with discussions relating to specific issues such as management and crowd control; clauses; responsibilities; rights hidden within international artists’ contracts and riders; and marketing strategies for large-scale cultural events.

MUSIC PROGRAMME

ALEX CLARE. Electro-pop and dub step with one of the best contemporary British artists and the winner of many awards, with an international fan base in the millions.

Clare grew up listening to his father’s jazz records and was drawn to blues and soul artists like Donny Hathaway and Stevie Wonder, which eventually led to an interest in drum and bass, dub step and UK garage.

Highlights of his career so far have included inclusion on the soundtrack of Class, a science fiction series released last year by the BBC; and single Too Close being used for a huge international campaign by Microsoft. The effects of which significantly increased his reach and popularity, sending him directly to No. 1 in the German charts, No. 4 in the UK, and to a remarkable No. 7 in the United States. 

Since then he has sold over 500,000 copies of album The Lateness of the Hour, which was nominated for a Brit Award; The American Association of Composers (ASCAP) named him Composer of the Year; and the single Too Close attracted nearly 100 million views on YouTube.

Clare is currently touring to promote his latest album, Tail of Lions, which showcases a maturing songwriter whilst retaining the signature sound that catapulted him to worldwide acclaim in 2011 with the double platinum smash, Too Close

My Baby. Blues, country and funk with Dutch band My Baby, a shamanic, psychedelic trio formed in 2012, and winners of one of the most prestigious music awards in the Netherlands – The Edison –awarded for musical compositions of an exceptional quality. Their live shows have been applauded throughout the Nordic countries, the UK, South Africa, and New Zealand, where they have quickly established themselves as festival favourites, having already played Glastonbury no less than seven times.

Their style is influenced by spiritual music and the hypnotic sounds used during shamanic rituals, evoking ancient traditions. They have produced four critically acclaimed albums, including their latest, Prehistoric Rhythm, released this year.

THE LOCATION

EEMC Sibiu Festival City is held in one of the most charming and picturesque medieval cities in Transylvania. Bursting with grand architecture and with history seeping from every art nouveau façade and gold-embossed church, Sibiu is positively awash with Transylvanian elegance, and has remained at the forefront of Romania’s cultural scene since composers such as Strauss, Brahms and Liszt played there during the 19th century.

 

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