East European Music Conference & Showcase Festival
The Deep Sound of Maramures premiers in Sibiu at the East European Music Conference Gala

The Deep Sound of Maramures premiers in Sibiu at the East European Music Conference Gala

The old sounds of Maramures, discovered by an anthropologist and electro reinvented in the purest contemporary sound, from Ambiental to trance, will be heard in the Large Square in Sibiu, Thursday, July 27th, from 22:00, in the opening of the Sibiu Festival City: East European Music Conference program.

The Deep Sound of Maramures project is an academic experiment, translated into music, applauded in Paris and The Hague and will b presented for the first time in Sibiu during the free concert series that will mark the reunion of European music industry representatives in Romania. Joining this show, with an amazing video performance, will be Cinty Ionescu, an artist who projects micro and macro universes, made-up worlds that potent or counterpoint the music. The Deep Sound of Maramures and Cinty Ionescu will triumphally close a gala evening in which other concerts from international artists are scheduled: the Dutch band My Baby and the Brit Alex Clare.

Age-long beats, mysterious, carrying though time their full of force messages are gliding in in rounds of progressive trance or psy, just to get lost in an ambient of sequences of acoustic piano or experimental electro-dance. The Deep Sound of Maramures, a premiere project for The Hague and appreciated in Paris or in transmissions for London and New York universities, proposes a hybrid interdisciplinary approach, being a new way of presenting some academic studies: selected from the infinite array of possible natural sounds, the sounds gain new understandings, finding an unexpected spot in the most available area of the acoustic area: music. Project or promoting regions through culture, The Deep Sound of Maramures proposes a new concept that combines multiple elements, from the audiovisual show to documentary movies sequences and e ethno-anthropological research about the old culture of Maramures. The show includes interventions from reputed ethnologic artists, like the instrument player Stefan Andreica from Viseul de sus or the dancers of “Ansamblul Maramuresului” lead by PhD Anuta Pop.

The Deep Sound of Maramures project fascinates firstly because it represents an extraordinary bridge between tradition and innovation. The sounds, made by traditional instruments are processed and transformed, lead towards their modern correspondents, created with the help of the newest technologies, all this included in an avant-garde performance, innovative and interactive. The chemistry created between all these components is hypnotizing, and Peter gate has an unwonted and creative artistic approach.

After they have presented this project in Bucharest, in a partnership with Taiwanese researcher Jia-Rey (Gary) Chang, PhD in interactive architectural design, famous, among others, for a remarkable presentations at the Mercedes Benz Amsterdam Fashion Week 2016, The Deep Sound of Maramures comes to Sibiu with Cinty Ionescu, artist interested in video experiments and interdisciplinary hybrid collaborations. Awarded an excellence award for video design by Fringe New York City, Cinty Ionescu has signed visual avant-garde installations for projects hosted by the Romanian Cultural Centre in New York or different theatres or exhibition spaces in Europe.

Artiștii care vor cariere internaționale îi întâlnesc la Sibiu pe directorii și agenții marilor festivaluri europene

Artiștii care vor cariere internaționale îi întâlnesc la Sibiu pe directorii și agenții marilor festivaluri europene

How can you launch your band internationally in the era of viral videos, of social media and international fair, festivals and showcase system?

The artists that want an international career, contracts that will give them the possibility of development budgets or concerts at Eurosonic, Reeperbahn, Tallin Music Week, Where’s The Music, MENT, Novarock, Hurricane, Lollapalooza and other large international festivals have the unique opportunity of meeting in Sibiu the key players in the European music industry, reunited between July 27 – 29 for the first edition of East European Music Conference.

The first reunion of top representatives of European music industry is organized by ARTmania, supported by the Local Council and the City Hall of Sibiu. For two days, top experts in the European music industry will meet Romanian public, during a series of conferences followed by informal reunions, hosted by Thalia Hall, the elegant headquarters of the Sibiu Philharmonic. The complete conference schedule can be found on the official website, www.eemusic.ro

In the last couple of years, I have been present, as festival director for two festivals, to showcases and meetings of musical networks that represent a true launching pad for artists and bands emerging on the musical scene. Organized by the most important European producers, these types of events create the context where, on the one hand facilitates the access to the latest music trends and, on the other hand, creates the selection of artists and bands for future productions. Therefore, as a premiere for the Sibiu reunion, European decision makers that any band manager or European artist would go for miles to meet will be present, says Codruta Vulcu, CEO of ARTmania Festival, Blaj aLive and East European Music Conference.

 

Saturday, July 29, from 16:00, during the conference “ARTISTS’ AND MANAGERS’ CLUB” – How to launch your band at the European level? The international network of music fairs, the international system of cultural fairs and other contemporary solutions for band and artist promotion in international markets will be explained, during the East European Music Conference, by some of the most experimented top agents in Europe.

Ruud Berends, co-owner and co-founder of the famous International Festival Forum – iff.rocks (London, UK), consultant for Buma Cultuur agency – the Dutch program for the new members in the international networks that support cultural export. Rudd, consultant for Eurosonic Noorderslag,, one of the most prestigious international networks from marketing in the music industry, has worked for over 30 years with important bands from Nirvana to Soundgarden.

Grimur Atlason is general manager of the Icelandic Airwaves Festival – icelandicairwaves.is, in Reykjavik. Over 200 acts perform at 250 official shows over the course of 5 days. On top of that over 600 shows take place ‘off-venue’ at Iceland Airwaves. Among others, Grimur has worked with Bjork, Flaming Lips or Caribou.

Helen Sildna, former agent for the most important Baltic agency, BDG, has started her own company, Musiccase, which has organized concerts by the biggest international artists in Estonia. Decorated by Finland and Estonia for outstanding excellence services, Helen is the founder of Tallinn Music Week, tmw.ee, an event that started in 2009 as an international conference, hosting a show fair that has developed, turning into a complex event, that also includes arts, technology and gastronomy.

Manfred Tari has a 30-year experience at the top on the music industry, including journalism, working as correspondent for different prestigious publications for the industry, like Musicmarkt, IQ-Magazine, Music & Copyright or VIP News. Since 2004, Manfred has established the Popkomm agenda and in 2009 he has taken on the same mission for Reeperbahn Festival – reeperbahnfestival.com, in Hamburg.

Alin Dinca, DJ for Rock FM since the radio started, founding member and lead singer for Trooper, author of two poetry volumes and radio host for over 15 years, will moderate this conference.

“The showcase festivals create opportunities for the bands, artists and other professionals in the musical industry. The organizers of such festivals generate context where organizers, label representatives, journalists or other music industry professionals can see the most interesting or newest bands and musical products, where artists will meet people that can teach them how to professionalize their creative actions. This type of event is especially important in Eastern Europe, where the market is less developed, it’s still in its adolescent years. But we learn and we grow! It’s all up to each of you, the way you use all these opportunities so that you can take your creative effort to a new level”, Matjaž Manček, Directof or MENT Festival Ljubljana.

Among the most important platforms and European showcase festival there are:

o    Eurosonic  Noorderslag – Groningen, The Netherlands – https://www.eurosonic-noorderslag.nl
o    Where’s the Music?– Norrköping, Sweden – http://wheresthemusic.se/en/
o    Ment – Ljubljana, Slovenia – http://www.ment.si
o    Tallinn Music Week – Tallinn, Estonia – https://tmw.ee
o    Reeperbahn festival – Hamburg, Germany – https://www.reeperbahnfestival.com/
o    Waves Vienna – Viena, Austria – http://www.wavesvienna.com
o    MaMA Festival and Convention –  Paris, France – http://www.mamafestival.com
o    Tune in Tel Aviv – Tel Aviv, Israel – http://www.tuneintlv.com
o    Midem – Cannes, France – http://www.midem.com

“There are countless ways of launching an artist, a band or a show on the international market, in an era where social networks, YouTube and Vimeo and streaming platforms, correctly used, can bring over a huge notoriety. The international show fair is, also, an excellent platform for starting an international career. Artists and managers have to take part in as many international events as possible that reunite representatives of the music industry, in order to select them for their own events of festivals.  Eurosonic Noorderslag, the event I know best, is a hue launching ramp for artists because it brings together artists and festival directors, who have countless and various offers. The conditions is to be good, very good, the music must be supported by an excellent show, and supported by a motivated and competent management team, capable of handling offers, and, when it will come, success!”, says Ruud Berends, co-owner and co-founder of the famous International Festival Forum – IFF (London, UK) and consultant for Eurosonic Noorderslag, one of the most prestigious marketing networks in the music industry.

TUDOR CHIRILA: “All the European countries have a talent export bureau”

Tudor Chirila and the band Vama, along with The Deep Sound of Maramures project are some of the Romanian artists joining the East European Music Conference program. Presented in Paris, The Hague or Bruxelles, The Deep Sound of Maramures, project that integrates in artists contemporary structures a concept of anthropological research from the traditional acoustic area will be one of the shows presented during the Showcase Festival mini-series included in this year’s edition of East European Music Conference. Interested in contemporary development ways and opportunities, Tudor Chirila and Vama band will be present at the East European Music Conference.

“Until long ago, I thought the destiny of an international artist is based on music, luck – and until recently – on social media use. And I couldn’t explain why, with few exceptions, Romanian artists of different genres, with songs in English, could not make the step outside the country borders. And then I understood that almost all European countries (except for Romania), have an export bureau that supports local artists in their attempt to promote themselves in foreign territories (Don’t Panic, We’re from Poland, Iceland Music Export, Hungarian Oncoming Tunes and so on). Because support it necessary, not just at the know-how level, but also financially and on a communication level. To communicate an industry and its music, not a case in particular. There are many ways of promoting, but either we don’t know them or they are hard to access. EEMC seems to be an excellent opportunity for Romanian artists to understand how things work internationally, how they can apply to different showcases and festivals, how they can organize a tour. We, Vame, are still thinking how to be in Sibiu and at our scheduled concerts, at the same time”, says Tudor Chirila of Vama band.

“Imagine the coolest festival line-up, with your favorite artists, that have never been to Romania before and that you would have to travel to other countries to listen to them. And also imagine that after every concert in the festival you would have the opportunity to receive an autograph and take a photo with every artist. This is how East European Music Conference will feel like, with the difference that the “artists” are some of the most influential people in the live-entertainment industry in Europe: festival promoters, booking agents, founders of show-cases and conferences that can change the career of any artist that looks for international success. I think it’s fabulous that all these people will be present in Sibiu for two days, and Romanian artist will have the opportunity to listen to them and, most importantly, to interact with them. I will take advantage of this opportunity for sure, says Carina Sava, manager for Vama band.

Tickets cost 190, 210 or 240 lei, according to the moment of acquisition and are available on the official conference website. Tickets grant access for both event days and are valid for all the seminars and conferences included in the program.

SIBIU – FESTIVAL CITY: East European Music Conference is co-financed by the Local Council of Sibiu and by the City Hall of Sibiu.

Event presented by: Banca Transilvania
Partners : AROC, Take a Stand
Media Partners: Rock FM, Zile si Nopti, Adevarul, Forbes, HotNews, Men’s Health, Catavencii, National Geographics, Cosmopolitan, Beau Monde, Agerpres, Radio Romania Cultural, IQ Magazine, Times New Roman, Sunete, Tribuna, Turnul Sfatului, Sibiu 100%, Ora de Sibiu, Stiri de Sibiu, Metropolis, ClujLife, Deezer, Feeder.ro, IConcert, InfoMusic, Traieste Muzica, urban.ro, E-zine, Let’s Rock, Informatia Harghitei, Vinsieu.ro, roevents.ro, anyplace.ro, maximumrock.ro.

 

East European Music Conference’s first edition brings top European live music industry reps and top acts to Romania

East European Music Conference’s first edition brings top European live music industry reps and top acts to Romania

ARTmania announces the inaugural East European Music Conference (EEMC), which will take place in Sibiu, Romania, July 27-29, 2017. The conference will gather top representatives from the European live music industry for a series of panels held in the breathtaking 18th century Thalia Hall located inside an old fortress in one of the most charming and picturesque medieval cities in Transylvania.

CONFERENCE & CONFIRMED SPEAKERS

East European Music Conference (EEMC) was launched with the aim of promoting healthy debate between the Eastern European music sector, international experts, and the state authorities involved in the legal regulation of the event industry, which has witnessed incredible growth in recent years.

The first edition of the EEMC will bring together over 400 experts, authorities, local and regional promoters; editors and correspondents from leading international publications such as IQ Magazine, Pollstar and VIP-News; international tax experts; and the main players from the European festivals market, to network and encourage an exchange of ideas.

Among those loaning their expert voices to the event will be Fruzsina Szép, Festival Director of Lollapalooza Berlin; Stephan Thanscheidt, CEO of FKP Scorpio – the largest festival organiser in Europe; Christof Huber, head of Yourope (The European Festivals Association) and director of OpenAir St.Gallen; Thomas Zsifkovits, co-owner of Barracuda Music and promoter of Nova Rock and Frequency Festivals; and Greg Parmley, the head of the International Live Music Conference (ILMC) and of the International Festival Forum (IFF), London.

Confirmed local speakers include representatives from major Romanian festivals and companies, such as: Mihai Paun – director of Electric Castle Festival; Guido Janssens and Laura Coroianu from Emagic, one of the most important promoters in Romania; along with many well-known journalists and representatives from authorities directly involved in legislative regulation of the industry. A comprehensive list of international and local speakers, confirmed so far, can be found at eemusic.ro/en/speakers/

The conference is organised in partnership with AROC (The Romanian Promoters Association), which was established with the aim of bringing legislative changes to the local event industry after the 2015 Colectiv Club fire tragedy. AROC comprises the most important event promoters and festivals in Romania, such as: Emagic, Electric Castle Festival, Summer Well Festival, ARTmania Festival, Blaj aLive Festival, and Twin Arts, to name but a few.

East European Music Conference (EEMC) is an initiative co-financed by the City of Sibiu, an active supporter of cultural and educational events.

CONFERENCE PROGRAMME

Hot topics already confirmed for debate include the functionality of state authorities, their duties and responsibilities, as well as topics such as security and the predictability of festivals in a troubled Europe; along with discussions relating to specific issues such as management and crowd control; clauses; responsibilities; rights hidden within international artists’ contracts and riders; and marketing strategies for large-scale cultural events.

The full conference programme is available at eemusic.ro/en/schedule

CULTURAL PROGRAMME

British singer-songwriter Alex Clare and Dutch act My Baby have been confirmed to perform at the launch of the very first EEMC. The highly acclaimed artists will meet their fans during the event’s opening ceremony, held on Thursday, 27 July at 19.30, in Sibiu’s Large Square.

At 19:00 on Friday 28 July and Saturday 29 July, after the conference sessions, all conference participants are invited to party to the rock and gothic tunes of artists such as The Devin Townsend Project, Lacuna Coil, Tarja, You Me at Six, Beyond The Black, Riverside and Walkways, at the 12th edition of Romania’s oldest boutique festival – ARTmania, held in Sibiu’s Large Square.

Furthermore, at sunset, delegates are invited to enjoy access to all Sibiu’s leading tourist attractions such as museums, numerous medieval and baroque churches, and to take advantage of the cozy bars and restaurants, all located within Sibiu’s fortress walls.

Tickets for the upcoming 27-29 July event, can be purchased from eemusic.ro/tickets. Tickets cost 190 lei (€42) and include full access to all conference sessions, ARTmania festival shows, plus museums across the city.

LOCATION

The city of Sibiu – one of Romanian’s most important cultural hubs – was listed in the top 10 cities to visit in 2017 by TripAdvisor. 

The conference will take place in Thalia Hall (filarmonicasibiu.ro/en/thalia), a true architectural wonder built in 1787 by Martin Hochmeister, the founder of the first bookstore in Romania. Musical performances will take place in Sibiu’s Large Square in the centre of one of the most charming and picturesque medieval cities in Transylvania. (turism.sibiu.ro/en).

Bursting with grand architecture and with history seeping from every art nouveau façade and gold-embossed church, Sibiu is positively awash with Transylvanian elegance, and has remained at the forefront of Romania’s cultural scene since composers such as Strauss, Brahms and Liszt played there during the 19th century.

In recent times, acts like Scorpions, Die Toten Hosen, Europe, Jethro Tull, Serj Tankian, Nightwish and many more have rocked the old city walls, while performances from artists such as Mikhail Baryshnikov, Ohad Naharin, and Lev Dodin, have delighted audiences in the city’s theatres.

Transylvania in the words of Lonely Planet: “Best known as the mysterious land of bloodthirsty vampires and howling wolves, Transylvania, ‘the last truly medieval landscape in Europe’, is a land full of mysteries and stories, known for medieval fortress towns, mountainous borders and castles and hundreds of fortified churches.”

So, what are you waiting for? Buy your ticket. Book your flight. Pack your garlic.

East European Music Conference – Festivals in a Europe in crisis

East European Music Conference – Festivals in a Europe in crisis

The first meeting of the European music industry elite in Romania, East European Music Conference, an event organized by ARTmania, with the support of the Local Council of Sibiu and the City Hall of Sibiu, brings together, between July 27 – 29, event organizers, international specialists in security, lawyers or experts in the international tax systems. The series of conferences will be hosted, for two days, by Thalia Hall Sibiu, starting with Friday, July 28th, 10:00 and a very actual debate: Festivals in a Europe in crisis.

The opening ceremony for the East European Music Conference reunion is scheduled on Thursday, July 27th, in the Large Square in Sibiu, and includes two concerts with international festivals: the Dutch band My Baby and the Brit Alex Clare. Receivers of some of the prestigious Dutch music awards, Edison, that is offered for musical compositions of exceptional quality, the Dutch band My Baby plays for the first time in Romania. My Baby will open the Brit’s Alex Clare concert, a favorite of British and German charts, whose single “Too Close” with over 100 million views on YouTube only have brought him a collaboration with Microsoft and a very precious nomination at the Brit Awards. For the two concerts scheduled for the East European Music Conference gala, the entrance is free.

 

East European Music Conference takes place at the same time as the ARTmania Festival, turning once again the town of Sibiu in a true Cultural Capital. On the 12th edition poster of ARTmania Festival, seven important acts have been added: Tarja, Lacuna Coil, Riverside, Beyond the Black, Walkways, You Me At Six and Devin Townsend Project. Passes for the ARTmania Festival are 190 lei during the presale.

Tickets for the East European Music Conference cost 190, 210 or 240 lei, according to time or purchase. Tickets grant access to both event days and are valid for the whole series of seminars and conferences included in the program.

FESTIVALS IN A EUROPE IN CRISIS

How to play on a continent that tries to keep its balance in front of the ongoing challenges, from economic polarization to division of national societies, to nationalist ideas, xenophobia, terrorist threats and, beyond this, too many types of cultural problems? The opening conference of the EEMC reunion, Festivals in a Europe in crisis, scheduled in the Thalia Hall, on Friday, July 28, at 10:00 is organized under the Take a Stand patronage, a campaign aimed to encourage civil involvement and social cohesion and a declaration to defend European values. The Take a Stand campaign is a Yourope initiative, where ARTmania Festival is affiliated, along with 90 of the main European festivals.

Confronted with an identity crisis, social inequality, ways of migration, terrorism and fascism, Europe cultivates new generations of visionaries, people that learn and analyze changes, in order to ensure the quality and continuity of events that celebrate life. Under the main title “Festivals in a Europe in crisis”, they will analyze and will share their experience three organizers from top European festivals: Fruzsina Szep: director of Lollapalooza Berlin, Christof Huber – president of Yourope and director of OpenAir St. Gallen – the largest festival in Switzerland, Guido Janssens – director of Emagic, organizer of concerts and festivals that have revolutionized the live event industry in Romania. The conference will be hosted by journalist Lucian Mindruta, who, after 20 years in the local press now moderates the social space in the “Interactiv” radio show at Digi FM, a public area where the most important subjects of the moment are up to debate, subjects talk about online, in the media or on social platforms.

“My message is about people, about a positive and peaceful way of living together, about an open and constructive dialogue. It might sound utopic, but us, the festival organizers, with a creative thinking, addicted to music, we are dreamers, fighters and defenders of good faith and have no other way. We couldn’t do what we do if we thought differently. Europe needs brave, curious, open, active and positive ambassadors of good will, intelligent people who have their hearts in the right place, who are not afraid to show their emotions, are not afraid to take action, to show what it means to not bend your head. To take a stand! Our festivals are gatherings of peace, where people come to enjoy the music, arts, culture and enjoy friendships and life. This is my Europe. Maybe it’s a utopic dream this temporary world of happiness, a world that festival organizers have the possibility of creating for their public. We do this ever year, this is our driving force, that gives us strength. These festivals are ambassadors of democracy and solidarity and no government can silence them. They will rise and they will talk about the art of freedom and free dialogue. Love and music are stronger than hatred, bombs or terror. It’s time for a change of the political generation and a change in mentality for the future leaders of Europe. We must not contemplate on the way Europe and the European Union are falling apart. It’s the largest project of our times. We must do everything in our power to support it and give it power”, Fruzsina Szep, Director of Lollapalooza Berlin

 

The most recent news that have shattered the musical scene in Europe are the last events in series that has brought sadness and worries on an international level. In anyway, it was the first year when tank stoppers were used in order to protect certain European festivals, in the series of measures taken to face new realities. These are all themes we can start a debate with about the future of large festivals in a Europe of changes. New security rules, new philosophies and concepts about organizing events, new trends and artistic currents, along with political vision adapted to social respect and equal opportunity are the new guiding lines for hundreds of festivals hosted annually by the Old Continent. Through information and awareness campaigns we promote tolerance for all cultures, genders, rases, religions, sexual orientations, colors and origins. Motivating people to take part in political and social activities, militating for a peaceful dialogue, for humanity, tolerance and mutual understanding, it is the best way to make the world a better place for each individual and for all of us – it’s written in the defining declaration for the purpose and mission of Take a Stand.

 

“In times with tension due to political changes, with the refugee crisis and terrorist threats, it is essential for the festivals of the world to unite their voices in a common declaration, to defend values of social cohesion, of cultural diversity and peace. We wish to motivate our public to take part in political and social activities, taking stand for a peaceful dialogue, humanity, tolerance and mutual understanding. It is time to take a stand! Christof Huber, Director OpenAir St.Gallen, Switzerland.

 

Yourope salutes all the professionals in the live music business and encourages them to join in as partners of this campaign. Festivals, promoters, clubs, associations, production companies and other people involved in the event industry are invited to join as ambassadors of the Take a Stand campaign, for a United Europe. (https://www.take-a-stand.eu/)

ABOUT MY BABY

My Baby. Blues, country and funk, with the Dutch from My Baby, a shamanic psychedelic trio formed in 2012, receivers of one of the most prestigious music awards in The Netherlands, Edison, which is offered for musical compositions of exceptional quality. They were applauded in tours in the Nordic countries and in the UK, but also in South Africa or New Zeeland, and became large festival favorites, especially at Glastonbury, where they were invited for seven times. With four albums released, the most recent one, Prehistoric Rhythm, was released just this year. My Baby counts on hypnotic beats, educated voices and psychedelic rhythms for a show that evokes ancient traditions, followed thousands of years ago through music. This is the unique aesthetic of the band, that explores the way ancient rituals influence contemporary culture. With a mythical-poetic theatrical approach, a danceable music that address the collective conscience, My Baby offers an archaic spiritual alternative to storms and shortcomings of contemporary life.

 

 

Alex Clare to launch Sibiu – Festival City 2017

Alex Clare to launch Sibiu – Festival City 2017

British singer-songwriter Alex Clare has been confirmed as the headlining act for Sibiu – Festival City, the live component of the East European Music Conference, that will take place July 28-29. The highly acclaimed artist will meet with Romanian fans during the event’s opening ceremony, held on Thursday, July 27th at 21.30, in Sibiu’s main square.

Apart from a richly cultural experience that will include concerts, exhibitions, experimental theatre projects, book launches, and cinematic projects, Sibiu – Festival City will also include the inaugural edition of the East European Music Conference (EEMC), a worldwide event that will bring together over 400 experts, authorities, local promoters and the main players in the international festivals market, to network and encourage an exchange of ideas.

The conference element of the event will be organised in collaboration with Sibiu City Hall and AROC (the Romanian Association of Concerts and Cultural Events Organisers) whose members include the most important event promoters in Romania, such as Emagic, Electric Castle, ARTmania, Blaj Alive Jazz in The Park, and Twin Arts, to name but a few.

Along with Alex Clare, other performers at Sibiu – Festival City will include My Baby from the Netherlands, Romanian artists such as Robin and The Backstabbers, retro-electro outfit Moonlight Breakfast, rock band Coma, and post-metal rockers Fluturi pe Asfalt, with concerts taking place every day throughout the centre of the city.

The event will take place alongside the 12th instalment of ARTmania, turning the city of Sibiu once more into a veritable hotbed of culture. Organisers at ARTmania have already announced performances from eight incredible international artists with Biffy Clyro and Apocalyptica among the confirmed headliners.

THE CONFERENCE

Sibiu – Festival City is a multicultural project aimed at transforming Sibiu into a major player in the European cultural market, benefitting both consumers and producers of cultural events. Steeped in remarkable tradition and with extensive experience of organising and promoting large-scale events, the event has become a regional platform for dialogue for anyone involved in the entertainment industry, both in Romania and throughout Europe. The event aims to attract international investments that will have a direct and positive impact on the city’s inhabitants and local authorities.

The EEMC will invite debate between the music industry, international experts and representatives of authorities directly involved in legislative regulation of the industry. In the context of a market that has been witnessing an extremely fast-paced growth in recent years, local promoters still don’t have a clear set of rules they can apply, and still have to deal with old and/or incoherent legislation that does not include specific beneficial provisions for music industry activity.

EEMC will serve as a much needed, industry-specific communication platform encouraging healthy discourse and topical debates. Alongside international specialists and leading European promoters, local organisers will attempt to find solutions to problems faced within the local entertainment industry. Without specific changes in existing regulations, brought about by constructive debates with state authorities, the much-needed changes designed to meet the rapid pace of the eastern European concert and festival industries, will not be possible.

PARTICIPANTS

EEMC will welcome all major national concert and festival promoters; international experts; authorities involved in the legal regulation of the live music industry; students of cultural management departments; festival lovers; the events industry; organisers of major European festivals; editors and correspondents from leading international publications such as Billboard, Pollstar and IQ Magazine; international tax experts; and representatives from major international regulators, associations and institutes.

Among the experts loaning their expert voices to the event will be Fruzsina Szép, Festival Director of Lollapalooza Berlin; Stephan Thanscheidt, Director of FKP Scorpio – the largest festival organiser in Europe, alongside the following confirmed industry luminaries:

Christof Huber, head of Yourope (The European Festivals Association) and director of some of the most successful festivals in Europe, including OpenAir St.Gallen, SummerDays Festival, and Unique Moments boutique festival.

Dick Molenaar, one of the most highly regarded experts in the complicated field of ​​tax legislation, with vast experience working with the most famous Dutch artists, sports personalities, music companies and institutions.

Gordon Masson, the beloved editor of IQ Magazine and part of the ILMC agenda committee, who insists that he was previously a stunt driver and astronaut in a previous life, before settling for a career in music journalism.

Grímur Atlason, who has for the last eight years managed the five-day international Iceland Airwaves festival that takes place on the first weekend of November in Reykjavik.

Confirmed Romanian participants include ministers, state secretaries, representatives from many professional associations, students, and festival lovers, along with representatives from authorities directly involved in legislative regulation of the industry, such as the Ministry of Culture, the Ministry of the Interior, the Ministry of Finance and Ministry of Labour.

CONFERENCE PROGRAMME

Hot topics already confirmed for debate include the functionality of state authorities, their duties and responsibilities, as well as topics such as security and the predictability of festivals in a troubled Europe; along with discussions relating to specific issues such as management and crowd control; clauses; responsibilities; rights hidden within international artists’ contracts and riders; and marketing strategies for large-scale cultural events.

MUSIC PROGRAMME

ALEX CLARE. Electro-pop and dub step with one of the best contemporary British artists and the winner of many awards, with an international fan base in the millions.

Clare grew up listening to his father’s jazz records and was drawn to blues and soul artists like Donny Hathaway and Stevie Wonder, which eventually led to an interest in drum and bass, dub step and UK garage.

Highlights of his career so far have included inclusion on the soundtrack of Class, a science fiction series released last year by the BBC; and single Too Close being used for a huge international campaign by Microsoft. The effects of which significantly increased his reach and popularity, sending him directly to No. 1 in the German charts, No. 4 in the UK, and to a remarkable No. 7 in the United States. 

Since then he has sold over 500,000 copies of album The Lateness of the Hour, which was nominated for a Brit Award; The American Association of Composers (ASCAP) named him Composer of the Year; and the single Too Close attracted nearly 100 million views on YouTube.

Clare is currently touring to promote his latest album, Tail of Lions, which showcases a maturing songwriter whilst retaining the signature sound that catapulted him to worldwide acclaim in 2011 with the double platinum smash, Too Close

My Baby. Blues, country and funk with Dutch band My Baby, a shamanic, psychedelic trio formed in 2012, and winners of one of the most prestigious music awards in the Netherlands – The Edison –awarded for musical compositions of an exceptional quality. Their live shows have been applauded throughout the Nordic countries, the UK, South Africa, and New Zealand, where they have quickly established themselves as festival favourites, having already played Glastonbury no less than seven times.

Their style is influenced by spiritual music and the hypnotic sounds used during shamanic rituals, evoking ancient traditions. They have produced four critically acclaimed albums, including their latest, Prehistoric Rhythm, released this year.

THE LOCATION

EEMC Sibiu Festival City is held in one of the most charming and picturesque medieval cities in Transylvania. Bursting with grand architecture and with history seeping from every art nouveau façade and gold-embossed church, Sibiu is positively awash with Transylvanian elegance, and has remained at the forefront of Romania’s cultural scene since composers such as Strauss, Brahms and Liszt played there during the 19th century.

 

Important European music players launch the Sibiu- Festival City program

Important European music players launch the Sibiu- Festival City program

The most important representatives of the European showbiz industry, businessmen, directors of the largest festival, concert organizers featuring huge names, from Rolling Stones to Robbie Williams, international security experts, lawyers and experts in the complicated international tax system are all awaited at the launching of the “Sibiu – Festival City” project, a program taking place between 27 – 29 July, initiated by ARTmania.

Aside from the rich cultural offer – concerts, exhibitions, book of movie releases – the “Sibiu – Festival City” platform will also host the first edition of the East European Music Conference (EEMC), an event or European amplitude, that aims to bring to the same table over 500 experts, state authorities involved in the process of regulating the creative sector, Romanian promoters and the main actors in the international festival market.

Fruzsina Szep, director of Lollapalooza Berlin or Stephan Thanscheidt – director of the FKP Scorpio company, that has been organizing for the last 20 years the most important festivals in Europe, are some of the guests coming to Romania this year. The conference in Sibiu is organized in partnership with AROC – the Romanian Association of Concerts and Cultural Events Organizers, which includes among its founding members some of the most important promoters in Romania like Emagic, Electric Castle, Summerwell, ARTmania, Blaj aLive or Twin Arts, among others.

 

Sibiu – Festival City takes place during the same time as ARTmania Festival, turning once again the town in a true Capital of Culture.
MISSION.“SIBIU – Festival City” is a multicultural project with the object of reconfirming the status of the town of Sibiu as an important player on the European market of culture consumers and producers of cultural events. With a remarkable tradition and experience in organizing and promoting large events, Sibiu becomes the regional platform for dialog for all the entities involved in the showbiz industry, not only in Romania, but also in Europe, and takes on the role of promoter in attracting international investments, with a direct impact on citizens and local authorities.

With its first edition, taking place between July 27 -29, the international reunion East European Music Conference, EEEMC, has taken on the mission of creating a healthy debate between the entities that work in the music industry in Romania, starting with representatives from the private sector – event organizers, to international experts and state authorities directly involved in the legal process of this industry. In the context of a continually growing market, the promoters are still working in a confused environment, with an outdated legislation, that does not include specific laws for the concert and festival industry, therefore deeming necessary a communication platform that facilitates the direct contact and punctual troubleshooting.

The local organizers will look for solutions in ideas exchange with the international experts and the main European promoters. Without drastic changes in the legal aspects and without laws borne out of constructive debate, we cannot expect rapid or healthy changes on the local market, and EEMC targets, long-term, a rebirth that will align this sector with the European festival and concert standards.

PROGRAM AND GUESTS. The terrorist threat and crisis situations in the Sibiu conference schedule. Directors or large European festivals, editors and correspondents for main international magazines, from Billboard to Pollstar, experts in the international tax domain or representatives of the most important associations and international regulation bodies will come together in Sibiu for the first edition of East European Music Conference. Along Fruzsina Szep, director of Lollapalooza Berlin or Stephan Thanscheidt – director of FKP Scorpio, among the participants there will also be present Huber, director OpenAirSt.Gallen – the largest festival in Switzerland.

Thomas Zsifkovits – co-owner of Barracuda Music, organizer of large scale festivals like Nova Rock and Frequency or concerts with important artists like Robbie Williams, Rolling Stones or Mumford And Sons, Twenty-One Pilots has also confirmed his presence.
Grimur Atlason, general manager of Iceland Airwaves, an event with over 200 bands and 250 concerts scheduled in a five days festival, with over 600 concerts added in so called “unofficial platforms”.
Chris Kemp, doctor in mass psychology and crown management, counselor for the British police, is invited to speak on security issues and crown safety in numerous conferences around the world. He spoke in front of the House of Commons in the UK about the security of the Olympic Games after 2012, when he was responsible for training the security teams for the Olympic and Paralympic Games.

We well also meet in Sibiu one of the best advisors in the complicated tax domain, Dick Molenaar, who works with the best-known Dutch artists, but also with athletes and companies or institutions that work in the music industry.

Some of the discussion themes during the conferences and the seminars included in the program touch subjects like: terrorists threats and crisis situations in festivals, the role of state authorities involved in the regulation of the creative sector, their tasks and responsibilities, along with more punctual ideas including security and predictability of festivals in a continent in crisis, but also debates on more specific problems from management and crowd control to contract clauses or marketing large scale cultural events.

 

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